Love Your Script! But Can We Change One Little Everything?

THE CLIENT'S OFFICE—Oh my gosh, so I finished reading your script and I absolutely loved it! But—and this is a very small “but”—I just want to change one little everything.Here’s a list of my comments. I know it seems like a lot, but if you read thr…

THE CLIENT'S OFFICE—

Oh my gosh, so I finished reading your script and I absolutely loved it! But—and this is a very small “but”—I just want to change one little everything.

Here’s a list of my comments. I know it seems like a lot, but if you read through all 17 pages, you’ll realize there really aren’t that many changes.

I honestly think we have award-winning stuff here. It’s just that teensy bit between the first frame and the end card that we need to cut. No seriously, aside from the entire concept, this script is gold. And yeah, the copy and art direction definitely have to go. But besides that, this might be your best work yet!

If you’re confused, here’s an example of what I’m looking for. It’s just a little something I threw together that’s already been storyboarded, submitted for a production estimate, and that we finished casting for yesterday.

I mean, don’t use exactly what I wrote. Haha, of course not. I’m not a writer. You’re the creative genius! I just want something like this meticulously outlined, leather-bound script that’s been approved by our CEO and is scheduled to shoot next week.

Do you need some inspiration? No problem. Just go to this address that our location scout secured and get those creative juices flowing!

Anyway, it’s ok if you don’t make it to the shoot. I just booked an agency review, so we’ll catch up then!

Agency Wins Gold Lion, Pawns It To Offset Client’s Quarterly Loss

CANNES--Still beaming from their recent win, the creative team of Draft FCB reportedly entered a local Cannes pawn shop and traded in their Gold Lion in an attempt to offset their client’s $350 million quarterly loss. Sources confirmed that the agency’s Creative Director, Bruce Lionel, haggled with the shopkeeper for almost 15 minutes before settling on an appraisal of $200, approximately 0.003% of the campaign’s budget.

“This dispels the long-held myth that agency awards and client profits are at odds with each other”, said Bruce Lionel, the campaign’s Creative Director. “This is great for our books and great for theirs.”  

The winning spot, directed by Terrence Malick, was comprised solely of magic-hour landscape shots and a voiceover reading Marcus Aurelius quotes. It generated virtually unanimous praise at Cannes. It generated virtually zero sales anywhere else.

Some sources attribute this disparity to the campaign’s $200,000,000 media plan, which targeted a demographic of 7 individuals, all of whom were on the Cannes judging panel.

“We focused on frequency instead of reach”, noted Lionel.  “It really paid off.”

The content itself, which lacked any reference to the product, the brand, or even the relevant industry, may also have played a role. Indeed, most Cannes attendees did not recognize the piece as an advertisement at all.

“Wait…that was a commercial?”, asked one visibly confused guest. “Well, it was really cool. Made me feel things.”

Lionel, wearing a rented tuxedo billed to the campaign’s job number, expounded on his commitment to the client’s bottom line: “this is a testament to the synergy between commerce and art. They say awards do nothing for brands, but does this look like nothing?”

With that statement, Lionel flung all two dollar bills into the air, in a gesture of celebration.